Image mosaic of a virtual 3D-printing concrete landscape.

Available in two versions : Lichens and Colors and different compositions (3×1 and 3×2).

A tribute to Glen Baxter’s graphic work, discovered during his French Tour ’91.
Here is an illustration inspired by his series Great failures of our time.

We can’t say that Chaval hadn’t warn about the birds !

Variation based on the Morphganics series.
Same base recipe, that produce the organic animation, with additional procedural textures to generate more and richer golden (Au) surface details.

Questioning some uses of generative artificial intelligence (IA in French).
A nod to the school punishment of copying a sentence over and over again, in the hope of never making the mistake again.

Plag.IA.rism (English version)

A combination of procedural deformations and morphs drives both geometry and material to produce some fluid, organic, almost hypnotic shapes.
Originally created in 2017, the project has been updated several times and is also used in the Art gallery project.

It is presented here in a series of different materials.

Reference to Carambar (a well-known sweet in France which contained a joke or a riddle), childhood memory and a pretext to offer a personal reflection.

Baramcar #1, inspired by Albert Einstein’s famous quote.

Translation of painted text : “Why is the universe constantly expanding ? Answer: In order to contain all human stupidity.”

Baramcar #2 is a pun that is not really translatable in English.

Initially an ‘R&D’ test from 2022, at the request of a digital agency, here is a slightly more finished mock-up of one of those giant 3D billboards that are popping up here and there, mainly in South East Asia. It looks quite similar to those trompe l’œil drawn on sidewalks, but animated obviously, despite some fuzzy reading about the so-called innovative and advanced projection technologies. Anyway, some photos shot from different angles were revealing some projection distortions, confirmed that whatever the display technology is, naked-eye 3D or not, the viewer has to be on the right spot to get the best experience.
The technique shown here applies to L-shaped and curved screens.

Video footage by ArtHouse Studio (pexels.com)

A reflection on childhood and the weight of education in shaping our personality.

Thanks to Magalie THIBAUD for her inspired accompanying text (hard to translate without losing most of its subtilty).

Experimentation based on Château d’Agassac photogrammetry, in collaboration with Databird (drone imaging) and Buddy, aka La Structure (music and sound design).

Refined between 2017 and 2024, animation based on the Morphganics series, where a chrome sphere secretly plays a choreography in a art gallery.